巴(🛵)豆(杜维瀚 饰)是一名(📥)经验丰(🍍)富的律师,为了替自己(🌠)的(🥀)委(🍓)托(📿)人赢得无罪(zuì )判(pàn )决(👜)(jué )不(bú )择(zé )手段(duàn ),甚(shèn )至不(bú(🚮) )惜(🚬)去(⏮)(qù(🥖) )触碰(pèng )法律(lǜ )和道(dà(📀)o )德之(zhī )间的(de )灰色(sè )地带(dài )。虽(🏼)(suī(🏄) )然(👧)巴(🍑)(bā )豆的(de )业绩(jì )辉煌(huáng ),但(dàn )在(zà(🤙)i )业(yè )内(nèi ),他的口碑其(👂)实(🔮)十(🛍)分(⭐)糟糕。巴豆有一个困扰(💍)他许久的毛病,那就是一到晚上(✨)十(🐭)二(🍷)点,无论在干什么,他都会(👲)陷入昏(📰)睡之中。
婚礼策划师露(👓)西(⏪)回(⛏)国(💲)策划一场英国王室的(😥)婚礼,而发生的一连串的(de )趣(qù )事(🥢)(shì(🍾) ),从(✔)而(🕴)(ér )收获(huò )了属(shǔ )于自(💻)(zì )己的(🦇)(de )爱情(qíng )。
本(běn )片来(lái )自(💻)新(👖)(xī(🗼)n )片(🚟)场(chǎng )创作(zuò )人吴(wú )晋超(chāo ),他(tā(🛁) )担任(rèn )这部(bù )影片(pià(✴)n )的(🍐)(de )导(🌀)(dǎ(🥑)o )演(yǎn )、编剧、美术以(👾)及剪辑。出品方为BITONE。
梅姨是一个生(🙅)活(🥒)在(🏣)社会最底层的人,为了生(📩)计,为了(🤬)抚养儿子毅天一直做(🕞)按(👛)摩(👉)女(🚬)。漫长的岁月被毒贩引(🗼)诱染上了毒瘾。孟豹是毅天的同(📁)学(🚯),整(✳)天游手好闲(xián ),欺(qī )负(fù(📺) )同学(xué(💫) )并收(shōu )取同(tóng )学的(de )保(💗)护(🚾)(hù(😶) )费(🌀)。小江(jiāng )是毅(yì )天的(de )同学(xué )也是(shì )从小(xiǎo )一起(qǐ )长大(⭐)(dà(📞) )的(🆎)好(🌎)(hǎo )兄弟(dì ),由(yóu )于(yú )不(🏵)(bú )肯(kěn )给交保护费被孟豹欺负(🔌)。闻(🐴)讯(🌞)赶来的毅天为了救小江(🌱)把老妈(✋)刚给的两百块钱给了(🔶)孟(⛎)豹(❌),孟(🙌)豹收了钱却又侮辱了(✈)毅天母亲,毅天气不过把孟豹一(⬅)顿(🍯)臭(🛤)打。毒枭老黑正好路过,救(🥇)下了孟(😆)豹。毅天(tiān )孟(mèng )豹(bào )从(🦉)(có(💡)ng )此(🎐)结(💌)(jié )下梁(liáng )子。孟豹(bào )跟了(le )毒枭(xiāo )老黑(hēi )后,一直(zhí )给瘾(💱)(yǐ(🕸)n )君(💡)子(🌔)(zǐ )送货(huò ),其(qí )中就(jiù(📡) )有毅(yì )天的(de )母亲(qīn )梅(méi )姨(yí )。故(🕔)事(🌅)(shì(👣) )究竟会向什么方向发展(🕷)?让我(💊)们拭目以待。
In the year 1920, when India's freedom movement was gaining momentum, one man firmly believed that the Britishers were not as bad as they were being made out to be.
Separated from his family and caught in a cycle of gambling and debt, Jim has less than a day to repay a violent loan shark. His day is turned upside down when he must look after his young. Jim's relationship with his son is tested as his plans to pay back the loan fail. When his last desperate effort to repay the debt puts his son's life at risk, he must make a choice between his past and a second chance at life.
英国内战(🆗)期(🖥)间(🌝),交(🌃)战双方士兵发现他们(🚡)陷入一片被女巫控制的森林之(🌵)中(🖤)
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
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