走出监狱的女人
类型:短剧 / 地区:中国大陆 / 年份:2025
状态:已完结
地区:中国大陆
语言:普通话
年份:2025
导演:Robert Altman
主演:海伦娜·约克 德鲁·塔弗 肯·马里诺 凯斯·沃克 梅丽莎·K 佩内洛普·罗斯朗 芬·奥尔格斯 吉普森·弗雷泽 凯西·塞雷
更新:2025-05-05
简介:
阿呆(dā(🐸
阿呆(dā(🐸)i )和(🍑)阿(🍖)瓜(🌏)(guā )是一对(duì )非常要(yào )好的朋(péng )友,他(🕶)(tā )们(💔)觉得(dé )凭借自(zì )己的力(lì )量可以修(🧔)理(😁)一(🚥)切(🍳),有麻烦发生时,只要开动脑筋,利用手(🚌)边的(🚔)工(🅾)具都可以搞定。人们(men )总会被他们的(💺)“错(😟)误(✳)”行(💇)为逗(dòu )笑,觉(jiào )得他们(men )有点笨(bèn ),大部(📸)(bù(👓) )分(🆓)时(🔒)间(jiān )会把事(shì )情搞的(de )更糟,但是呆(dā(🔝)i )瓜(🏬)兄(🤯)弟总能自己(jǐ )做的事(shì )情中找(zhǎo )到(⛵)“自(🛒)(zì(🕟) )己(🚏)的路(lù )”,并(bìng )对自己(jǐ )努力之(zhī )后的(🧦)结(jié(🈁) )果感到(dào )满意。因为他(tā )们坚信(xìn )一(🔺)句(🎇)话(🚰)(huà(🕌) )“伟大的创造在最开始的时候也不是(😁)完美(😆)的(🎑),关键的是开始的勇气”。
《疯狂暑期之(🧞)(zhī(🥈) )哈(🗾)喽(⛴)怪物》故事梗概:三个小(xiǎo )孩在参(cā(🌄)n )加(🚗)暑(🦎)期(😒)(qī )夏(😸)令营(yíng )时突然(rán )失踪,家长们(men )报(⬆)警(🍜)寻(🍷)(xún )找孩子(zǐ )的下落。三个孩子走进(jì(🎱)n )原(✴)始(🕶)森(🆕)(sēn )林迷失(shī )了方向(xiàng ),小野(yě )人救了(🔨)(le )他们(🆚),并教会(huì )了他们(men )很多生(shēng )存技能(né(👩)ng ),后(🏧)来(📵)(lá(🏩)i )一起与(yǔ )笨贼斗(dòu )智斗勇,并和警察(👩)成功(🥞)地(🦈)抓住了坏人。
雅克·维吉尔被指控(⛏)谋(🐶)杀(🍟)了(🤜)他的妻子。作为雅(yǎ )克·维吉尔案件(👤)的(🛑)陪(💵)审(🚒)(shěn )员(🥧),诺(nuò )拉坚信(xìn )他没有(yǒu )杀害他(🏤)(tā(📹) )的(😒)妻子(zǐ )。但是(shì ),这种(zhǒng )直觉很(hěn )快就(🙊)成(🧓)(ché(🌫)ng )为(😦)了一种偏执。她说服(fú )了国内(nèi )最有(🖋)名(mí(🍨)ng )的律师(shī )为雅克(kè )辩护。为证明(míng )雅(🎩)克(🗒)的(🏺)(de )清(🤭)白,他们携(xié )手展开(kāi )了一场(chǎng )艰难(🏆)的(de )辩(🐖)护(📷)斗(dòu )争。为此,他们也付出了巨大的(🚱)代(🏎)价(📌)。这(🌙)部电影受到雅克·维吉尔的真实案(🥣)件(🤭)的(💳)启(♟)发(fā(📐) ),讲述了他的妻子离奇(qí )失踪,而(🧟)他(🈯)因(⬆)(yīn )此受到(dào )审判的(de )故事。
UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.
BOI is a young man just starting out as a private chauffeur. Whilst anxiously awaiting his girlfriend’s decision about a certain life-changing matter, he has to accompany his first ever clients: Michael and Gordon. Two Chinese businessmen who have come to Barcelona with the aim of closing, in under 48 hours, a multi-million dollar contract with an American magnate. They’ll help each other, as they set out together on a journey to the edge, in a world in which dreams wander like an ownerless dog, pistols and prostitutes don’t do what they’re meant to do, and the questions have yet to find answers. But as long as there’(🛶)s a reasonable amount of blood, then there’(🗳)s nothing to worry about.
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
ユ(📫)ミ(😣)は夫と娘(niáng )の3人暮らし。近々引(yǐ(🔪)n )っ越(👔)しを考えている。ユミは娘のレイナ(🥍)が(🏻)時(🦖)折(📯)(shé )うわ言(yán )を発することが、少(shǎ(🐨)o )々気(🥧)に(🌪)かかっていた。転居の報告も兼ね(🏕)て(⏯)友(👁)人(🎟)ヒロミと久々に再会するユミ。話題(🥠)は(🕜)い(🤴)つ(💼)しか(🎑)「あの日」のことに。「私たち(📔)が(🚐)埋(❄)めた時、本当に死んでたのかな?(🖊)」(🐌)。ユ(🗻)ミ(🧒)は「あの日」のことを清算すべく(⛄)、サ(🎾)エ、アコにも再会(huì )を決意(yì )し、(🚄)廃(👵)(fè(✖)i )墟(🔸)のような家(jiā )に一人(rén )で住むサエ(🕯)に会(🌓)い(🥗)に行く。サエは、見知らぬ少女が(✴)現(🍫)れ(🧥)て(🕵)娘だと言って聞かず、しばらく一(🏃)緒(💝)に(🛄)暮(⬛)らし(🕵)ていたが死んだこと、そして(🔞)少(🛢)女(🐓)は死んだままその家の3階に寝か(😩)さ(⚡)れ(💦)て(🔙)いるということを話し出す。(C)「黄泉(🔩)がえ(🍼)る少(shǎo )女」製(zhì )作委員(yuán )会
On the stage, where the premiere of the musical was supposed to take place, the drama broke out ... People went to the feast - cheerful, bright, but turned out to be face to face with death. They, who became hostages, who managed to pass a terrible ordeal, while preserving human dignity and courage - are ordinary people who have become heroes ...
With her son being held captive by a criminal gang, police-officer Amanda Doyle, together with her ex-husband and three unlikely allies, takes part in a desperate plot to hold a wealthy banker and his family to ransom. But this is no ordinary family
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