《野草》
类型：短剧 / 地区：中国大陆 / 年份：2025
状态：已完结
地区：中国大陆
语言：普通话
年份：2025
导演：吴思远
主演：姜睿娜
更新：2025-05-13
简介：
隔壁住(zhù
隔壁住(zhù(⛺) )的(🔞)(de )三个(🍳)半熟女似乎偷偷的在各(🏼)(gè )自(zì(🏄) )房间(🕐)做着不可告人的囧事(shì )，而(✌)这些(🚩)是(🆒)石头没日没夜偷(tōu )窥(kuī(🍘) )得出的(🈳)结论。深知一人技薄(báo )的(💶)石头为(🗺)了满足好奇，挖掘(jué )更(gè(🎱)ng )多(🐍)半熟(🗝)女们(🕢)的私生活，拉(lā )拢(lǒng )室友钱(🙆)芳和(🏾)柳(🙁)木加入，三(sān )个(gè )冲动期(💣)的屌(⚡)丝(🆙)男面对隔壁的(de )长(zhǎng )腿姐(🗡)姐、知(🛄)性御姐和甜美(měi )萝(luó )莉(🤬)，引(🐇)发出(🚏)了一连串让人(rén )脸(liǎn )红(🤔)的尴尬(⬛)囧事(🔒)。
《莫霍克人(rén )》立意为历史剧(🔛)，发生(💐)于(⏩)1812年(nián )第(dì )二次独立战争(🕌)接近尾(🛳)声之(zhī )时(shí )，但随着美国(🍲)原罪在(👴)眼前展(zhǎn )开，由此产生的(📧)神(🤺)秘色(📽)彩和(😕)(hé )恐(kǒng )怖效应让这部影片(🎼)真正(🈳)成(🚛)(chéng )了(le )令人毛骨悚然之作(📮)。
In Portugal, a father, a mother and a daughter's daily lives are being subsumed by the effects of the economic crisis.
嘉庆(🕺)(qì(🐆)ng )年(nián )间，海州之地官商勾(🔅)结腐败(📳)(bài )严(yán )重，乡绅刘德高与(🐵)日(🏢)本人(😆)(rén )串(chuàn )通走私鸦片残害(❌)百姓。刑(🏪)(xíng )部(😾)(bù )尚书敖青密令洪涛前往(🕺)特查(🥖)(chá(🐟) )此(cǐ )案。
故事讲述了围绕(❇)著朝(chá(✒)o )鲜(xiān )时代，历史中没有记(🐑)录的(de )一(💾)(yī )夜中，国王护卫「名剑(🆔)手(🎉)」金(🏫)浩与(❔)谋反武士之间惊心动(dòng )魄(💧)(pò )的(⛹)对(🖊)决。
Four young people come to Mallorca to enjoy idyllic summer holidays, but delving into the most inhospitable places on the island will begin a hellish journey.
欧阳建国在美玲(líng )开(🎲)(kāi )的(📷)彩(🥄)票站随意买了一张彩(cǎ(🕺)i )票(piào )，竟(🎵)中了大奖。他想通过这(zhè(🌠) )笔(🤕)(bǐ )钱(🎙)摆脱老婆的多年欺辱，和(✂)(hé )心仪(😫)已久(🤹)的美玲在一起。与(yǔ )建国暧(🖤)昧的(💡)美(📡)玲，心里已经(jīng )打(dǎ )好了(🏺)小算盘(🔋)，实际上她想(xiǎng )利(lì )用欧(♉)阳建国(🖤)的钱，为自己(jǐ )的(de )男朋友(🥩)阿(🈴)飞还(🌾)债，谁知阿飞(fēi )招惹的是团伙头(👖)目花(📂)皮(🌒)，为(wéi )了(le )保全美玲，阿飞也(⬇)有了(🖕)自(🥜)(zì )己(jǐ )的一系列计划。与(🔗)此同时(🏖)(shí )，两个到县城的小偷介(🌋)入其中(⏺)(zhōng )，给穷途末路的众人再(✨)添(🐘)了(le )一(🔕)(yī )把(🏮)火，上演了一出啼笑皆(jiē )非(🧛)(fēi )的(🌘)喜(🏉)剧。最终彩票会落入谁(shuí(🍪) )手(shǒu )，八(🌫)线城市的不同阶层的(de )人(👫)(rén )们又(🍒)何去何从……
While on a road trip to a wedding, a young couple is forced to camp out for the night - and become prey to the wilderness, and something even more sinister.
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
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