“NO BORDER 2D×3D” |“NO BORDER 2D×3D” をキ(🍑)ャッチ(🙃)フレーズに(📒)掲げ、2Dと3Dの(🚵)境目を(🙏)なくすクリエイティブ(➖)な活(huó(👻) )動を目(mù )指す３DCGプロダ(😋)クショ(📔)ン“Picona Creative Studio”。本作はどんなも(😈)ので(🖕)も捨て(🎄)てみせ(🤔)るゴミ捨て(👶)屋コンビと(🐽)、魔法(📟)を捨てたい(⛓)魔女が繰り(🎶)広げる(👭)、ファッション× ポッ(🎞)プ× ア(🔒)ニメをキーワードに魔(🛴)法と科(🤫)(kē )学を(💓)絡み合わせ(📒)たスラップ(🛐)スティ(🤜)ック・アニ(🐗)メーション(💭)。同社が(📁)長(zhǎng )年温めてきたオリ(🛢)ジナル(👷)企画(huà )が、ついに実(shí(🍌) )現！
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
本(bě(🔵)n )片撷取(♈)了发生在中(😆)(zhōng )国(🕎)北方小(🍧)城镇中(🎅)一个中(zhōng )国(🉑)青年(nián )出狱(🔼)后(hòu )的(🐙)一段(duàn )人生经(jīng )历，讲述(📉)了一个(🏦)小人物在商品经济的大(👣)潮(cháo )中(🎬)与时(shí )代的隔(gé )离，以(yǐ(🆑) )及人们(🙏)(men )对金钱(🔍)(qián )的崇尚和(👯)理想、道(dà(📯)o )德的流(🍛)失，对社(shè )会(🏇)与人(rén )性作(⏬)出(chū )了(🌾)深度(dù )拷问。尤其是(shì )本(😇)片以中(👁)国农历冬(dōng )季的四个节(👪)气作为(🚋)篇章(zhā(🤛)ng )，具有(yǒu )强烈(🥫)的(de )中国文(wé(🐥)n )化符号(🍀)(hào )视觉。
几千(♓)年前的(de )一场(🙎)神秘事(🚇)件，让楼兰(lán )古国一(yī )夜(🈷)覆灭(miè(📲) )，只留(liú )下了一(yī )块神奇(🏏)且神秘(🛸)的宝物——奉天双鱼镜(🤚)，几(jǐ )千(🔺)后，一场(🔂)双(shuāng )鱼镜的(🕺)(de )争夺之(zhī )战(👢)拉开(kā(😁)i )的序幕.....
SAM哥飾(🗻)型格幹(gàn )探(🛳)重案組(🍛)梁SIR 調查(chá )案件，可能是(shì(🗣) )一隻變(🍂)(biàn )種兇獸(shòu )攻擊人(rén )類(🐫)，他要消(🍣)滅兇獸(🎅)(shòu )，拯救世界(🍳)
Summer 1989, East Germany. Adam works as a tailor, Evelyn as a waitress. They are planning a vacation together when Evelyn finds out that Adam is cheating on her and decides to leave for the holiday on her own. She travels to Hungary, trailed by Adam. As the border with Austria falls, everything changes in Hungary. The frontiers are open, as the new possibilities for Adam and Evelyn to decide in which world – Eastern or Western – they want to build a happy life. Adam und Evelyn is based on the homonymous novel by Ingo Schulze, translated in more than ten languages.详情
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