简介：全金属狂(kuáng )潮 总集篇(piān ) 第(👜)二(🌩)部
在(zài )《琐事烦心(xīn )》（Wolfsbergen，2007年(nián )论坛单元(yuá(🛷)n )）(🌬)，《布(🔣)(bù(🍓) )朗运动》（Brownian Movement，2011年论(lùn )坛单元）和《一切(😫)(qiē(📣) )很(🕋)(hě(⏲)n )安静》（Boven is Het Stil，2013年全景单元）之后，荷兰导(👄)演(🍛)娜(🍾)诺(👮)克•利奥波德将会带着新片来到2018年的(🚦)柏(🕌)(bǎ(🌧)i )林电影节(jiē )在 Generation 14plus中角逐(zhú )。以她特(tè )有(🍆)的(🚅)沉(🚟)静(✏)(jìng )的激进主(zhǔ )义风格，她的新片(pià(🏵)n )跟(🉐)随(🛡)着(👆)15岁(suì )Cobain的脚步，在城市里(lǐ )徘徊，寻(xún )找他(😖)自(⛅)毁(huǐ )的母亲。在(zài )途中，他(tā )遇到了她(tā(🏭) )的(🐍)老(🎹)朋(🕉)友(yǒu )们，社工(gōng )们，以及(jí )一家美沙(💐)(shā(🌇) )酮(🤯)诊(🥪)所。在他的电(diàn )影(yǐng )处女作(zuò )中，Bas Keizer温(📱)柔(😟)又(🛎)有(⚽)力地表现出了一个必须要快速长大的(🖇)男(⬇)孩(➰)的(🙏)样子。
The movie is to combine a film noir-style investigation with an exploration of altered states of consciousness, focusing on the story of 50-year-old Otto Ganz, the owner of a thriving building and civil engineering company that operates worldwide. One day he has to travel to North Africa to deal with some urgent issues and there, Ganz is confronted with memories of his youth, which he had tried to forget for many years.
父亲溺爱儿子(zǐ )赛米，望(wàng )子(🚧)成(🔉)龙(🐹)。儿(🔎)子面对(duì )升学压力(lì )，父亲十(shí )分(♓)忧(📀)心(🔒)却(💗)(què )也只能想(xiǎng )尽办法帮(bāng )助，直到(dào )有(🥚)天(💺)儿子(zǐ )无声告别(bié )，留下了(le )要“只身(shēn )前(🚱)(qiá(🔭)n )往(🍡)叙(⏭)利亚(yà )”参与圣(shèng )战组织的(de )信息，父(💲)(fù(🌩) )亲(🏽)踏(💠)上寻(xún )找儿子的(de )路，才发(fā )现父子(🐓)之(🔙)(zhī(🚻) )间(🎦)(jiān )早已存(cún )在着难以调和的矛盾。启发(📉)自(🤒)真(🆘)人(🕟)真事，突尼斯导演阿提亚由一段寻(🛰)子(🍾)经(🌊)历(🧝)，反映“阿(ā )拉伯之春(chūn )”后，国(guó )家如(🆙)何(🦇)受(🕒)(shò(🔣)u )到伊斯兰(lán )恐怖主义(yì )和经济停(tíng )滞(🧦)所(🏅)影响(xiǎng )，国家悲(bēi )剧与家庭(tíng )悲剧并存(🕧)(cú(🖥)n )。青(🕤)年(㊙)们(men )被(bèi )视为非(fēi )理(lǐ )性的行动(dò(🎽)ng )背(🗻)后(💾)，当(🧚)(dāng )中的复杂(zá )情感究竟(jìng )如何描(🚣)绘(👯)(huì(🥄) )？(🎽)比利时(shí )电影大师(shī )达内兄弟(dì )协(xié(🕌) )力(🙍)监(➿)制(👠)(zhì )，冷静有力，最终超越悲剧的伦理(👸)剧(👠)。
MANOS Returns is the follow up film to the cult favorite Manos: The Hands of Fate, created by Jackey Neyman Jones who portrayed Debbie from the original film.
父(🐰)亲(🗒)溺爱儿子赛米，望子成龙。儿子面(mià(⛴)n )对(🖋)升(🍊)学(🔎)压(yā )力，父亲(qīn )十分忧心(xīn )却也只能(né(📈)ng )想(⭕)尽办法(fǎ )帮助，直(zhí )到有天儿(ér )子无声(💤)告(✝)(gà(🏂)o )别(🎭)，留下(xià )了要“只(zhī )身前往叙(xù )利亚(🍧)”参(😥)(cā(🕥)n )与(🆗)(yǔ )圣战组织(zhī )的信息，父亲踏上(shàng )寻找(👣)儿(🤮)子(zǐ )的路，才(cái )发现父子(zǐ )之间早已(yǐ(🛹) )存(🏗)在(😂)着(🥃)难(nán )以调和的(de )矛(máo )盾。启发自真人(👲)真事(🍆)，突(⛏)尼斯导演阿提亚由一段寻子经历(📲)，反(🈚)映(🐈)“阿(🏖)拉伯之春”后，国家如何(hé )受到伊斯(sī )兰(🌼)恐(💯)怖主(zhǔ )义和经济(jì )停滞所影(yǐng )响，国家(📉)(jiā(🕳) )悲(📨)剧(🏍)与家(jiā )庭悲剧并(bìng )存。青年(nián )们被(🤬)视(👾)为(♋)(wé(🛄)i )非理性的(de )行动背后(hòu )，当中的复(fù )杂情(❕)感(😴)究(jiū )竟如何描(miáo )绘？比利(lì )时电影大(🏰)(dà(🏧) )师(😟)达(🧘)内兄(xiōng )弟协力监(jiān )制，冷静(jìng )有力(🌟)，最(zuì(⛵) )终(👛)超越悲剧的伦理剧。
What happens when two gay men in a disintegrating relationship leave the big city to spend some time alone, together in nature? Is it possible for nature to reveal the truth, their true essence and help them to change? Can these two wounded men; traumatised, hurt, lost and desperate on a remote beach find a way back to innocence? Is there a way back to reality, back to love? Their relationship was formed against fear and loneliness. They fell in love, but they can't handle love. They've both made mistakes, poisoning their relationship through secrets and lies. They suffer when together, but they can't be apart. Life in the big city hasn't been letting them breathe, think or feel - creating constant and never-ending problems. Are they both ready for the next step?
高畑充希主演(🅰)SP剧(👷)《忘(🤭)却(🐼)的幸子》，漫画家阿部润连载中销量突破(🤕)(pò(😖) )50万部同名(míng )作品改编(biān )，其中「忘却」(🍀)是(⛲)(shì(🎊) )指(🏄)好吃到(dào )可以瞬间(jiān )忘记其他(tā(🏜) )一(🚾)切(⛏)的(🍀)美(měi )食境界。